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After 148 days of striking, Hollywood writers are going back to work : NPR


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After 148 days, tv and film writers are headed again to work. Many say they’re completely satisfied the strike has ended for the Writers Guild of America.


After 148 days, tv and film writers are headed again to work. And whether or not they’re beginning a brand new job, engaged on a present that was placed on maintain or on the lookout for a brand new gig, writers are completely satisfied that the strike is over.

ELISE BROWN: I am actually excited to return to work. I imply, I really like to jot down, and I really like the room that I am in. I am actually excited to form of return to that camaraderie and form of that atmosphere.


That is Elise Brown. She wrote on the Hulu sequence “Sweet,” which is predicated on the true story of a lady accused of murdering her lover’s spouse.


JESSICA BIEL: (As Sweet Montgomery) I did have an affair with Allan Gore. However, effectively, it has nothing to do with all of this. I ended it. I ended it a very long time in the past.

SUMMERS: That is a scene from an episode Brown wrote. And on Wednesday, she’s headed again to work, this time for season three of Showtime’s hit sequence “Yellowjackets.”

SHAPIRO: One other author who cannot wait to get again to work is Kylie Brakeman. She’s a comedy author however is not fairly positive the place she’ll land.

KYLIE BRAKEMAN: I’m unemployed in form of an superior and funky manner, and it’s form of good. Like, I do know it’s powerful to search out work as a author and as an actor, however it feels a bit of bit extra optimistic as a result of it appears like there’s extra protections in place.

SHAPIRO: Brakeman had labored on “The Tonight Present” with Jimmy Fallon.


JIMMY FALLON: Thanks, canine prepared to put on Halloween costumes, for their homeowners and going, positive, I am going to do it. It looks like they want this.


SUMMERS: That is a joke Brakeman wrote for a recurring bit, Thank You Notes. With all writing stopped, each Brakeman and Brown have been left feeling, effectively…

BRAKEMAN: I undoubtedly felt a bit of aimless, a bit of wandering.

BROWN: There was simply a lot form of anxiousness and emotion form of constructed up by way of simply making an attempt to determine, like, the place the strike was going and making an attempt to proceed to make ends meet and in addition simply worrying about, you recognize, the uncertainty of all of it.

SHAPIRO: So what do you do when you may have on a regular basis on the earth? Decide up new hobbies, after all.

BRAKEMAN: I picked up the banjo. We have been on strike for lengthy sufficient for me to purchase a banjo, form of discover ways to play the banjo after which utterly overlook find out how to play the banjo.

SUMMERS: Fortunately, banjo taking part in will not be crucial for her subsequent job, however she does hope her subsequent job will permit her to increase her comedic writing.

BRAKEMAN: I believe, total, a giant factor for me is, like, I simply love telling tales about ladies who’re horrible, like Lucille Bluth.

SUMMERS: That might be Lucille Bluth, the boozy matriarch from Fox’s acclaimed sequence, “Arrested Improvement.”


JESSICA WALTER: (As Lucille Bluth) Get me a vodka rocks.

JASON BATEMAN: (As Michael Bluth) Mother, it is breakfast.

WALTER: (As Lucille Bluth) And a chunk of toast.

SHAPIRO: Brown says she’s trying ahead to becoming a member of the employees of “Yellowjackets.” She’s particularly drawn to how the sequence leans into darkish comedy.

BROWN: It is actually daring and actually shocking and unapologetic, and I believe that makes it actually enjoyable and thrilling. And so I am excited to be again within the room and form of be a part of discovering these issues that hopefully individuals will discover actually shocking and thrilling and do not see coming.

SUMMERS: That was Elise Brown and Kylie Brakeman, members of the Writers Guild of America, who’re not on strike.


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NPR transcripts are created on a rush deadline by an NPR contractor. This textual content will not be in its closing kind and could also be up to date or revised sooner or later. Accuracy and availability might range. The authoritative file of NPR’s programming is the audio file.


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