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The actual thriller is why they made a second one.
Netflix has padded its catalog of cinematic background noise some extra with “Homicide Thriller 2,” the immediately forgettable sequel to its rancid whodunit comedy starring Jennifer Aniston and Adam Sandler as married crime solvers.
Working time: 89 minutes. Rated PG-13 (violence, bloody photos, sturdy language, suggestive materials and smoking). On Netflix.
Within the first movie, the Spitzes (who, in an early indicator of James Vanderbilt’s script’s degree of humor, a pilot calls the Sh-tzes) stumbled into beginner sleuthing like Miss Marple. Nick (Sandler) was an NYPD officer and Audrey (Aniston) was a hairdresser.
This time they’re professionals like Hercule Poirot.
They’re summoned to the luxurious personal island of their uber-rich buddy from the final film, the Maharaja (Adeel Akhtar), to attend his wedding ceremony to girlfriend Claudette (Mélanie Laurent).
Set at a surprising resort, the beginning of the film is “The Slight Lotus.”
On the ritzy ceremony, full with fleeting choreographed dancing and an elephant, the Maharajah’s bodyguard is murdered and the Maharaja is kidnapped.
The Spitzes begin clumsily questioning the suspects, every yet one more boring than the final.
There’s Francisco (Enrique Arce), a former soccer participant and lothario who declares, “I’ve made like to 10,000 ladies”; the bride Claudette, who was pressured to signal a suffocating prenup; his sister Saira (Kuhoo Verma), who loves consideration; Countess Sekou (Jodie Turner-Smith, so significantly better than this) and the colonel (John Kani), who the Maharaja denied a promotion.
When Colonel Miller (Mark Robust) from MI6 reveals as much as take over the case, the nameless kidnapper calls and calls for $60 million delivered to the very unassuming Arc de Triomphe in Paris in change for his or her captive. Sandler jokingly, unbearably calls it “the Arc de Tree Hump?”
“I don’t need these buffoons concerned anymore!,” declares Claudette.
As Aniston and Sandler are so uncharacteristically charmless and unfunny right here whereas they scream and flail round Paris, we are able to’t assist however agree along with her.
Within the Metropolis of Lights, Audrey and Nick change into suspects themselves after the drop-off is bungled, and the French police are on the hunt for them. So, they have to discover the kidnapper and show their innocence.
They cease by some notable Paris spots alongside the best way, such because the Opera Garnier, which they don’t make the most of as fabulously as the brand new “John Wick: Chapter 4” does.
The largest motion sequence — nonetheless meh — in director Jeremy Garelick’s film goes down on the Eiffel Tower and its well-known restaurant, which brings to thoughts the worst-reviewed MGM James Bond flick of all time, “A View To A Kill.”
At the least that Eiffel Tower chase had Roger Moore and Grace Jones.
When the id of the assassin is revealed and and so they endure their eventual demise, the entire enterprise is painfully uninteresting.
Netflix is also liable for the “Knives Out” collection, and whereas “Glass Onion” didn’t make my eyes water, Rian Johnson’s send-up of Agatha Christie is leagues higher than this formulaic, soulless schlock.
The streamer’s “Homicide Thriller 2” quantities to nothing greater than a free trip for Jennifer Aniston and Adam Sandler.
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